statement
![]() Souvenir of England © 2007 |
In
the past, drawing on the interests outlined, I have made
works such as The
Landscape Room, and Decoy,
both of which analyse
and
re-present the structure of the English oak, and of the English
landscape. Both
these works utilise bespoke computer
programming and fractal mathematics from which I
‘grow’ virtual trees and
change the appearance of hitherto familiar National Trust parklands. Model Landscapes, extends this theme by moving from two-dimensional still images and animations, to produce a series of vignettes. The Model Landscape vignettes are “model” in terms of being “ideal” and at the same time, “scaled-down”. To make these works, I used a combination of old and new media, combining rapid prototyping techniques, whereby I took my own three-dimensional computer data and made small trees from the fractal mathematics, to hand-cut books, where tree structures popped up from the pages. ![]() Flocking the tree for Souvenir of England Souvenir of England references our Englishness and the nostalgia we sometimes feel for the loss of native flora and fauna due to changes in agricuktural policy and practices and climate change. For more on these, and other works, please use the artworks link below. |
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Most of my art works, in whatever media, are influenced by my interest in the physical structure of objects (the growth structure of trees, the shape of the human heart, the particular spatial qualities of a building). I'm equally interested in the way that these familiar objects and places feature in our social and economic landscape: how we use them as symbols (the oak tree becomes shorthand for “Englishness”; the heart symbolises “Love”; landmark buildings both past and present are presented as signs of affluence, regeneration and “Progress”). The third underlying element in most of my works is my interest in exploring new materials, new technologies and new engineering processes. |
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